PAUL S. FLORES INTERVIEWS
Episode #11 Artful Thought
Recorded live at the University of San Francisco's KUSF studio, aired on Saturday, July 27th, 2019. “I'm beyond stoked to talk with Paul S. Flores. His roles as a prolific poet, playwright, performance artist, youth arts educator, and USF theater professor continue to inspire and illuminate.” Darcy.
KALW Morning Edition
San Francisco-based writer and performer Paul S. Flores began his artistic life as a spoken word artist and teacher. He was one of the founding staff members of nationally recognized youth poetry organization Youth Speaks.
Sexy Grammar
Tears Are Heavenly: Interview with Paul Flores | by Kristy Lin Billuni
Read full interview here.
Daily Nexus
Paul S. Flores Comes to Reds Bin 211 | By Vicky Munro
Q&A WITH PAUL S. FLORES
REDEMPTION MEANS FORGIVENESS | By Alyssa Castro
We’Ced beat reporter Claudia Gonzalez got a chance to sit with playwright and producer Paul S. Flores to discuss the themes of Placas, the local impact of this work and what inspires the artist to tell these kinds of stories.
Read full interview here.
Paul Flores on Up Front |
KPFA 94.1
Playwright Paul Flores tackles survival and resilience in US immigration and justice systems. In this interview he talks about his project Pilgrim Street about Fathers & Families of San Joaquin Valley in Stockton, CA.
Up Front page here.
HowlRound Theater Commons
Poet, performance artist, playwright, and spoken word artist Paul S. Flores explores the intersection of urban culture, Hip-Hop, and transnational identity rooted in his growing up in both Chula Vista, CA and Tijuana, Mexico.
Read the essay, What is the Role of the Artist/Arts Presenter in a Community in Crisis? here.
San Francisco Theater Pub
The Real World- Theater Edition: Interview with Paul S. Flores about You’re Gonna Cry | By Barbara Jwanouskos
Read full interview here.
PRESS BY PRODUCTION
WE HAVE IRÉ
BronxNet by NEWS by reporter Stephen Powell |
CREATIVE-CAPITAL.ORG by By Alex Teplitzky |
A Hybrid Performance Celebrates Cuban-American Migration and Art Practice
San Francisco Chronicle— Datebook by Lily Janiak |
Yerba Buena center’s ‘We Have Iré’ celebrates Afro-Cuban immigrant journeys
San Francisco Chronicle by Sam Whiting |
S.F. man plans spoken-word collaboration with Cubans
San Francsco Examiner by Leslie Katz |
‘We Have Iré’ shines light on local Afro-Cuban artists
BayAreaPlays.com by David John Chávez |
48hills.org—Arts & Culture by Emily Wilson |
‘We Have Iré’ celebrates the Afro-Cuban immigrant experience—and challenge
BronxNet by Rhina Valentin OPEN |
ON THE HILL: I AM ALEX NIETO
KQED by Omid Zoufonoun |
Alex Nieto Police Shooting Spurs Young Actors to Reclaim their Neighborhood Identity
PRI.org by Shuka Kalantari |
How artists in San Francisco are keeping the questionable police killing of a young Latino alive
MissionLocal.org by Anna M. Clausen |
SF Playwright Looks at Police Shooting
KQED by Creo Noveno |
Youth Drama 'On The Hill' Offers Possibilities After Nieto Killing
San Francisco Chronicle by Lily Janiak |
Activism, art, healing in stage response to Alex Nieto shooting
San Francisco Classical Voice by staff |
Todo Bodo Down: The Bac Sierra Blog by Ben Bac Sierra |
“We Fly Even When we Fall: A review ‘ON THE HILL: I AM ALEX NIETO’
Recordnet.com by Lori Gilbert |
PLACAS: THE MOST DANGEROUS TATOO
89.3 KPCC |
The Frame
With Audrey Ngo: 'Placas': How a former MS-13 gang member inspired a play about starting over.
KPBS midday EDITION
Aired 4/22/15 on KPBS Midday Edition
‘Placas: The Most Dangerous Tattoo’ Explores Gang Violence in San Diego Debut
GUESTS:
Paul Flores, playwright, "Placas: The Most Dangerous Tattoo"
Ric Salinas, actor, Chicano performance troupe Culture Clash
San Diego Free Press by Brent E. Beltrán — Part I |
Playwright Paul S. Flores Brings PLACAS to San Diego
San Diego Free Press by Brent E. Beltrán — Part II |
Playwright Paul S. Flores’ PLACAS: The Most Dangerous Tattoo is Coming to San Diego
Press-Telegram by Richard Guzmán |
Culture Clash’s Ricardo Salinas stars in gritty ‘Placas: The Most Dangerous Tattoo’
NeonTommy.com by Molly Quinlan |
Theater Review: 'PLACAS: The Most Dangerous Tattoo' At L.A. Theatre Center - April 2014
MissionLocal.org by Claudia Escobar |
The Story of ‘The Most Dangerous Tattoo’
Triton by Sherilyn Reus |
REPRESENTA!
NJ.com By Peter Filichia |
Spoken-word artists swap tales of U.S. and Cuba in 'Representa!'
Harvard Review of LatAm By Sujatha Fernandes |
Black Aesthetics and Afro-Latinx Hip Hop: “I’m an African”
Walker Art | Primer By Allison Herrera |
Allison Herrera Interviews Paul Flores about his show at Intermedia Arts
YOU’RE GONNA CRY
Paul Flores in front of the set for his 'You're Gonna Cry.' (Photo: Ramses El-Qare) KQED
KQED Inform. Inspire. Involve by John Wilkins |
Paul Flores' 'You're Gonna Cry' Parallels The Mission in the 1990s with Today
Stage Magazine.org |
Framing Things A Different Way At Philly’s InterAct
MissionLocal.org by Laura Wenus |
ALONG THE BORDER LIES
REVUE LISA-EJournal by Maria Antònia Oliver-Rotger
So Close and Yet so Foreign: Trans-Border relations in Paul S. Flores’ Along the Border Lies