PAUL S. FLORES INTERVIEWS
PRESS BY PRODUCTION
WE HAVE IRÉ
BronxNet by NEWS by reporter Stephen Powell |
CREATIVE-CAPITAL.ORG by By Alex Teplitzky |
A Hybrid Performance Celebrates Cuban-American Migration and Art Practice
San Francisco Chronicle— Datebook by Lily Janiak |
Yerba Buena center’s ‘We Have Iré’ celebrates Afro-Cuban immigrant journeys
San Francisco Chronicle by Sam Whiting |
S.F. man plans spoken-word collaboration with Cubans
San Francsco Examiner by Leslie Katz |
‘We Have Iré’ shines light on local Afro-Cuban artists
BayAreaPlays.com by David John Chávez |
48hills.org—Arts & Culture by Emily Wilson |
‘We Have Iré’ celebrates the Afro-Cuban immigrant experience—and challenge
BronxNet by Rhina Valentin OPEN |
ON THE HILL: I AM ALEX NIETO
KQED by Omid Zoufonoun |
Alex Nieto Police Shooting Spurs Young Actors to Reclaim their Neighborhood Identity
PRI.org by Shuka Kalantari |
How artists in San Francisco are keeping the questionable police killing of a young Latino alive
MissionLocal.org by Anna M. Clausen |
SF Playwright Looks at Police Shooting
KQED by Creo Noveno |
Youth Drama 'On The Hill' Offers Possibilities After Nieto Killing
San Francisco Chronicle by Lily Janiak |
Activism, art, healing in stage response to Alex Nieto shooting
San Francisco Classical Voice by staff |
Todo Bodo Down: The Bac Sierra Blog by Ben Bac Sierra |
“We Fly Even When we Fall: A review ‘ON THE HILL: I AM ALEX NIETO’
Recordnet.com by Lori Gilbert |
PLACAS: THE MOST DANGEROUS TATOO
San Diego Free Press by Brent E. Beltrán — Part I |
Playwright Paul S. Flores Brings PLACAS to San Diego
San Diego Free Press by Brent E. Beltrán — Part II |
Playwright Paul S. Flores’ PLACAS: The Most Dangerous Tattoo is Coming to San Diego
Press-Telegram by Richard Guzmán |
Culture Clash’s Ricardo Salinas stars in gritty ‘Placas: The Most Dangerous Tattoo’
NeonTommy.com by Molly Quinlan |
Theater Review: 'PLACAS: The Most Dangerous Tattoo' At L.A. Theatre Center - April 2014
MissionLocal.org by Claudia Escobar |
The Story of ‘The Most Dangerous Tattoo’
Triton by Sherilyn Reus |
REPRESENTA!
NJ.com By Peter Filichia |
Spoken-word artists swap tales of U.S. and Cuba in 'Representa!'
Harvard Review of LatAm By Sujatha Fernandes |
Black Aesthetics and Afro-Latinx Hip Hop: “I’m an African”
Walker Art | Primer By Allison Herrera |
Allison Herrera Interviews Paul Flores about his show at Intermedia Arts
YOU’RE GONNA CRY
KQED Inform. Inspire. Involve by John Wilkins |
Paul Flores' 'You're Gonna Cry' Parallels The Mission in the 1990s with Today
Stage Magazine.org |
Framing Things A Different Way At Philly’s InterAct
MissionLocal.org by Laura Wenus |
ALONG THE BORDER LIES
REVUE LISA-EJournal by Maria Antònia Oliver-Rotger
So Close and Yet so Foreign: Trans-Border relations in Paul S. Flores’ Along the Border Lies